Tag Archives: Catholic

Friday Thoughts: Pure Extra Virgin

by Howard Hain
william-dyce-the-garden-of-gethsemane-1860

William Dyce, “The Garden of Gethsemane”, 1860*


To your eyes a thousand years are like yesterday, come and gone, no more than a watch in the night.

—Psalm 90:4


.One good olive.

There are so many factors.

The altitude. The light. The soil. The temperature. The rainfall. The wind. The dew point and humidity. The age of the tree.

Then there are those factors that we can control: pruning, watering, fertilizing, fanning, netting, and wrapping chilly trees with burlap or fleece.

And of course there are those other factors, those that fall somewhere in-between, between our control and our complete lack thereof: most of these relate to the sneaky work of numerous little thieves—animals, birds, insects, and perhaps even fellow farmers or other hungry travelers who just happen to pass by.

But when all is said and done—when all the factors are poured into the olive equation, mixed-up well, and left to unify or settle out—the fruit that’s produced by the world’s most nostalgic, symbolic, and romantic of trees means very little (at least in digestive terms) if it’s simply left to shrivel up and fall to the ground.

———

Picking an olive is perhaps the highest part of the art.

———

When to do so? And toward what end?

If too early, great potential is squandered.

If too late, great taste is lost.

If indecisive, we might as well let nature enjoy it for the time being—for one way or another—God’s process will eventually return it to the earth.

———

And yet, we’re still not done, for even if the olive is picked at just the right time, from just the right tree—the one that has grown in all the right circumstances—when it comes to the culmination of olive production, all is moot if the precious fruit of the womb is never squeezed.

For no matter how good the olive, without applied pressure, there’s nothing left to be labeled “pure extra virgin”.


.But when the fullness of time had come, God sent his Son, born of a women…

—Galatians 4:4


 

* Gethsemane is the name of a garden on the Mount of Olives in Jerusalem. It appears in the Greek of the Gospel of Matthew and the Gospel of Mark as Γεθσημανή (Gethsēmanē). The name is derived from the Aramaic ܓܕܣܡܢ (Gaḏ-Šmānê), meaning “oil press”.

 

(Dec/23/2016)

 

Morning Thoughts: Little Drummer Boys and Girls

by Howard Hain

Yesterday I witnessed a “dress” rehearsal for a live nativity. The cast was made up of first and second graders, and the audience was mostly composed of residents of a retirement home for religious sisters, Franciscans. It was spectacular.

Last week I was at Radio City Music Hall to watch the Rockettes in their “Christmas Spectacular”. It was quite a production.

Sitting in the dark this morning I cannot help but contrast the two.

I also cannot help but relate to the seven-year old who played the part of The Little Drummer Boy.

As that child walked so slowly toward the foot of the altar, where the rehearsal was being staged, I saw my vocation in an entirely different light.

The children were all singing their hearts out, and many of the eighty and ninety year-old sisters were mouthing the words. The boy with the drum didn’t utter a sound. He just kept walking, slowly, extremely slowly toward the altar, every once in a while ever so slightly pretending to tap two tiny sticks upon a toy drum. He was beautifully awkward.

There was no greater spectacle on earth at that very moment. Shall I dare to say, no greater event that heaven or earth has ever known?

For a child was born. We were all being born.


Come they told me, pa rum pum pum pum
A new born King to see, pa rum pum pum pum
Our finest gifts we bring, pa rum pum pum pum
To lay before the King, pa rum pum pum pum,
rum pum pum pum, rum pum pum pum,

So to honor Him, pa rum pum pum pum,
When we come.

Little Baby, pa rum pum pum pum
I am a poor boy too, pa rum pum pum pum
I have no gift to bring, pa rum pum pum pum
That’s fit to give the King, pa rum pum pum pum,
rum pum pum pum, rum pum pum pum,

Shall I play for you, pa rum pum pum pum,
On my drum?

Mary nodded, pa rum pum pum pum
The ox and lamb kept time, pa rum pum pum pum
I played my drum for Him, pa rum pum pum pum
I played my best for Him, pa rum pum pum pum,
rum pum pum pum, rum pum pum pum,

Then He smiled at me, pa rum pum pum pum
Me and my drum.*


.

.*(Little Drummer Boy was composed by Katherine K. Davis, Henry Onorati and Harry Simeone in 1958.)

 

Thoughts Upon The Cross: Doxa. Doxa. Doxa.

by Howard Hain

.

And we have seen his glory,

the glory of an only Son coming from the Father,

filled with enduring love.

—John 1:14


.

The power of God.

A tiny leaf caught between two worlds

Suspended by invisible threads

Dancing to the still small voice.

Deeper and deeper

Into the person

The Son of Man

Who is God.

Glory.

And Might.

Power.

And Majesty.

Fully Alive.

Beautifully Human.

Walking Wisdom.

The Lightness of Fullness.

The Heaviness of Simplicity.

Doxa. Doxa. Doxa.

Honor.

Adoration.

And Praise.

Doxa. Doxa. Doxa.

Beyond praise.

The Power of One.

He Is.

We’re not.

He stands.

We fall down.

He dies.

We live.

Doxa to the Father.

Doxa to the Son.

Doxa to the Holy Spirit.

Doxa. Doxa. Doxa.

Between two worlds.

Is a man.

Who says “I AM”.

A tiny leaf suspended.

He is Lord.

He is God.

Invisible threads.

He Is.

And so now are we.

Dancing.

Still.

Small.

Voice.

The Word.

The Depth.

Beyond the signs.

To the Person Himself.

The Person of Jesus.

Deeper.

And deeper.

Into His flesh.

Into His Glory.

Doxa is Thy Name.

Dwelling among us.

Abiding within us.

Still small leaves caught between two worlds.

Suspended by invisible threads.

Dancing to the breath of God.

From deep to deep.

Depth to depth.

It never ends.

Doxa. Doxa. Doxa.

Doxa in the highest.


.

(May 6, 2017)

The Most Common Occurrence

by Howard Hain

 

Christ lives in the Eucharistic Prayer.

He listens carefully.

The Father listens too.

We listen with Them.

The Holy Spirit speaks.

He speaks a great silence.

He listens to the listeners.

We collectively hear.

God.

Three Persons.

His Entire People.

All Creation.

The Sound of One Breathing.

The Sound of Life.

Communion.

Amen.

 

(Jan/4/18)

Still Life with Nativity

by Howard Hain

 

Can’t keep it neat

Bunched-up cloth

Shifting sand

An avalanche of gifts

Those toward the outside move the most

The trough is fixed in place

The world turns, the Cross stands still” *

Manger, manger, what happened to you?

Sprouted roots

Began life as a tree

…..A table

……….A sawhorse

……………A wagon wheel

Dusty bumpy road

Excitement of a coming feast

Not quite yet

To and fro

Which place is home?

Bethlehem, Nazareth, Jerusalem

The land of Cana

A wedding toast

Now a wooden throne

Plenty of wine to go around

The world turns, the Cross stands still” *

Manger, manger, what happened to you?

Sprouted roots

Began life as a tree


 

* this line is a loose paraphrase of the Carthusian motto: “Stat Crux Dum Volvitur Orbis” (The Cross Stands Firm, While The World Turns)

Posture of Prayer

by Howard Hain
el_greco_st_dominic_in_prayer-1595

El Greco, “St. Dominic Praying”, c. 1588

Sometimes just showing up is all we can do.

To put ourselves in position to pray and worship—at least physically, even if we just cannot seem to get there spiritually—is an act of prayer and worship in itself. And quite often, it is the best we have to offer.

By confessing our aridity through physical obedience alone, we approach God’s altar with humility, for we come to God in our “nothingness”.

The bowing of head, the placement of knees, and the closing of eyes return us to the dark warmth of the womb. It is no coincidence that the posture of prayer and the fetal position bear great semblance.

It is in the womb that we are closest to God, furthest from the corruption of the world, and possess the least of what our “flesh” considers of value—our “brilliant” ideas, our “magnificent” plans, our “heroic” acts—our self-aggrandizement.

It is in the womb that we find ourselves in complete dependence. We receive all we need without knowing, without speaking, without cost.

In that sense, being in the womb is much the same as being in the world—for in the world we are still completely dependent—it is just that without the obvious reminder of the umbilical cord, we so easily forget our total and complete dependence on God, our Creator, our Sustainer, and our Ultimate End.

Hence we find ourselves “knowing,” “telling,” and “paying a price.” When in reality, the only thing that we can somewhat even come close to taking credit for is being physically present to receive His Word, His Wisdom, and His Will. All of which come free of charge, His Son having already paid the price.

———

“Lord, let me place my knees to the earth. Let me feel the foot of the cross against the caps of my knees. Let me close my eyes and bow my head. Let my brow lay upon your bloodied feet. Let me humbly raise my eyes to gaze upon your battered body. Oh my Lord and my God, let your blood and water rain down upon me.”

Amen.


 

Howard Hain is a contemplative layman, husband, and father. He blogs at http://www.howardhain.com

Follow Howard on Twitter @HowardDHain

twitter.com/HowardDHain

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I’m Pro-Art

by Howard Hain
DT1554

Paul Cézanne, “Bathers”, 1874-75, (The Met)

I’m Pro Art

In other words:

I’m Pro Truth

In other words:

I’m Pro Beauty

In other words:

I’m Pro Love

In other words:

I’m Pro Creation

In other words:

I’m Pro Life

(Oops, how’d that happen…funny how logic can lead you to such “un-expecting” places.)

(Words do seem to matter—or at least carry some weight—maybe even 7 pounds 8 ounces worth.)

(Before you panic, give it a little, teeny-weeny, infant-sized bit of thought…)

Conclusion:

ProArt (pro-creates) ProLife

ProLife (pre-conceives) ProArt

ProArt (equ=als) ProLife


 

Howard Hain is a contemplative layman, husband, and father. He blogs at http://www.howardhain.com

Follow Howard on Twitter @HowardDHain

twitter.com/HowardDHain

If you enjoyed this post, please consider “liking” it, adding a comment, becoming an email subscriber, or passing it along via the social-media links below. Your support is greatly appreciated. Step by step. All for God’s glory.


Web Link: The Metropolitan Museum of Art. Paul Cézanne, “Bathers”, 1874–75